In this modern day spin on Leroux’s gothic tale of unrequited love turned to madness, seventeen-year-old Rune Germain has a mysterious affliction linked to her operatic talent, and a horrifying mistake she’s trying to hide. Hoping creative direction will help her, Rune’s mother sends her to a French arts conservatory for her senior year, located in an opera house rumored to have ties to The Phantom of the Opera.
At RoseBlood, Rune secretly befriends the masked Thorn—an elusive violinist who not only guides her musical transformation through dreams that seem more real than reality itself, but somehow knows who she is behind her own masks. As the two discover an otherworldly connection and a soul-deep romance blossoms, Thorn’s dark agenda comes to light and he’s forced to make a deadly choice: lead Rune to her destruction, or face the wrath of the phantom who has haunted the opera house for a century, and is the only father he’s ever known.
***Potential triggers for human trafficking, abuse, animal cruelty, violence, death
It pains me to write this review because I was so looking forward to this book-it was at the top of my highly anticipated list for 2017. I mean, The Phantom of the Opera??? As a theater kid, this is my personal form of euphoria. Unfortunately, my feelings on this rendering are mixed.
- Thorn’s story is almost as tragic and heartbreaking as the Phantom’s and yet so full of beauty. No matter the darkness and fear he experienced as a child captured by traffickers and tormented beyond measure, his heart is pure and OMG is he swoonworthy. Some of the stuff he says to Rune, I mean, my heart swelled with joy. He’s like a part-time poet and the way he plays that violin. He’s the definition of dreamy. That dark hair and those coppery eyes, and that jaw. Smokin’ hot. I loved the way his past evolved and changed him and his starry-eyed devotion to the Phantom. Plus the way he looks at Rune…it’s like she’s his world at first sight. Now, let me warn, this does read like instalove on Thorn’s part, but there are reasons so hold out.
- This twist on the Phantom is super weird and complex. It can be hard to wrap your head around and accept, but there are enough history and allusions to the original Leroux story. The Phantoms’s story is somehow even more depressing and horrific than in the original. When you read about the love he felt for Christine, the hope he held for a happy ending, it will crush you and hit you right in the feels.
- There’s a ton of seriously disturbing elements to this story-from creepy, crawly animals that don’t belong in nature, to taxidermy, to cryogenics. It’s a mix and match of sci-fi meets paranormal. And when you find out the truth about Rune’s heritage and how she relates to the Phantom…well, whether or not you’re a fan is up to you, but for me, I was torn. It felt like the author didn’t stay entirely true to the mythology (and that’s all I can say without spoilers).
- One of my favorite characters was the cat, Diable. He’s not particularly cute, but he has so much attitude in his mannerisms and he’s so clever. A sassy cat, what’s not to love?
- This book is at least a hundred pages too long. Let me explain. There were so many parts that seemed unnecessary, dragged, and pulled down the whole sense of foreboding that should have wrapped around the reader. The pacing was in line with a Gothic novel, but because it is set in contemporary time, it didn’t fit well with the story, despite the setting. There were whole sections of sprawling description that could have been trimmed, but went on for pages. While these sections certainly painted a picture, the length didn’t really build the emotions, but distracted from them with painstaking details. Scenes that would have benefited from being shortened by heightening the anxiety and fear got lost in a sort of step-by-step, piece-by-piece map of the setting. It became more about setting the scene than the story/scene itself.
- There’s so much going on that it became overwhelming. After you get used to the shock factor and adjust to the bizarre twist on the traditional Phantom story, the shifts in POV, the flashbacks to the past, and the absolutely strange quirks of every character (which was a bit much to begin with) don’t fall into place but feel strung together and random. There’s not a feeling of cohesion and planning, it hits like chaos and stays that way. Told in a more measured way, these pieces are all elements that explain the characters and their personalities. I guess what I’m saying is that I would have liked more build up.
- So much time was placed on carefully crafting the back stories for the Phantom and Thorn, even for Jipetto and Audrey, so that you know their hearts, their motivations, how they became who they are. And yet, despite the tragedy of her past with her father and the terrible situations she had with her grandmother, and even the history of the family name, Rune’s character felt undeveloped in comparison. While there are tidbits, like her joy of gardening, her knitting, her personality was kind of bland for such a strong story arc. Honestly, she was much better, much more interesting when she was interacting with other characters than by herself.
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