Release Dare: February 7, 2017
In the vein of It’s Kind of a Funny Story and All the Bright Places, comes a captivating, immersive exploration of life with mental illness.
For sixteen-year-old Mel Hannigan, bipolar disorder makes life unpredictable. Her latest struggle is balancing her growing feelings in a new relationship with her instinct to keep everyone at arm’s length. And when a former friend confronts Mel with the truth about the way their relationship ended, deeply buried secrets threaten to come out and upend her shaky equilibrium.
As the walls of Mel’s compartmentalized world crumble, she fears the worst–that her friends will abandon her if they learn the truth about what she’s been hiding. Can Mel bring herself to risk everything to find out?
In A Tragic Kind of Wonderful, Eric Lindstrom, author of the critically acclaimed Not If I See You First, examines the fear that keeps us from exposing our true selves, and the courage it takes to be loved for who we really are.
***I received this eARC as a gift in exchange for an honest review via NetGalley & Little, Brown Books for Young Readers
- There was so much to learn from this book. Mental health isn’t talked about anywhere near as much as it should be. There’s a complex system of animals Mel uses to illustrate her moods/how she’s feeling, which you might want to write down for reference throughout, because it is a little hard and confusing to keep track of. As far as I know (I’m not an expert), this is a poignant and realistic portrayal of the mental and physical highs and lows experienced by someone who is bipolar. It was an awakening for me as a reader, because I haven’t read many books with this mental illness. It brought keen insight into the disorder and how the individual’s thinking and feeling change, how they react, and the medicine cabinet full of medication that some who suffer from this disorder live with everyday. I think a big part of this story was trying to show how normal mental illness can appear to an outsider or someone who doesn’t know. There was a bunch of terminology I had no clue about and I was pretty startled by the idea of subintentional suicide; I’d never heard of that before. Generally when we think of people who make dangerous choices it’s in a oh, what a daredevil kind of way, but this was truly eye-opening for me, and in connection to bipolar disorder. I am still reeling.
- I adored HJ (Hurricane Joan). She’s this feisty, sassy aunt, who like Mel, has bipolar disorder. She’s super fun and full of energy, and while she does have her down times, she has such a strong presence.
- Mel was an intriguing character. She wasn’t particularly interesting, but she was compassionate, giving, a genuinely good person. Her emotions were a dizzying spiral of highs and lows, ups and downs, and very raw, honest. Her confusion and fear are clear, even if she doesn’t understand why she feels the way she does or how she’s going to react. Mel is trying to cope with her disorder, not beat it or pretend that it doesn’t exist. Mel believes she can be like a “normal” person and that in order to do so, she needs to lie. Why Mel insists on all the lies is revealed in time, but it doesn’t always feel like it was necessary.
- Mel and David are cute together. They’re blunt and challenge each other. He is the only one that she is completely truthful with and where she can be the most herself. They’re funny, playful, and have an easy way with each other that feels meant to be.
- A Tragic Kind of Wonderful is split into flashbacks and current events. There are two storylines, one regarding the time before diagnosis and another after. These stories mix and mingle with each other and I wasn’t entirely sold on how it was set up. They way these two narratives were presented made the pacing feel staggered. You feel like you wait forever to things that are alluded to from the very beginning-like why her friendship with Zumi and Conner is on the outs. The whole book you wait for this reveal and it’s built up so much that you expect it to be something world-shattering and terrible, and while it is a betrayal, when you know the reasons why, it’s like, oh, shrug. Other reveals, like what happened to her brother and the mystery about her name, were a little frustrating, but once you understand that they took so long to get to because Mel couldn’t safely, emotionally process them, it’s okay.
- All of the characters except for David and Mel and HJ and most of the elderly people-let me fix this, most of the teen characters were antisocial, withdrawn, and even with the flashbacks, didn’t have much personality. The connection between them and Mel was supposedly so strong that it emotionally paralyzes her to think about it, and yet, that feeling does not carry through the book, it’s more talked about than actually illustrated. Most of the story, I questioned why Mel even cared that these people were no longer in her life, she had replacements in the form of Holly and Declan, who were similar enough to the original friends that they were kind of forgettable. Had there been more interaction with ANY of these friends, a stronger establishment between characters would have been made and it would have been easier to become emotionally invested. Again, I think this had a lot to do with how the book was organized.
- I wish there had been more flashbacks to Mel and her brother. I felt like the focus was skewed. So much emphasis was placed on the loss of these friends she made after her brother’s death, when his loss is the root of so much of her hurt.
SIDE NOTE: I would not compare this to All the Bright Places in terms of writing style, but thematically, sure.
If you like any of the following, you’ll enjoy this: