When sixteen-year-old Amanda Verner’s family decides to move from their small mountain cabin to the vast prairie, she hopes it is her chance for a fresh start. She can leave behind the memory of the past winter; of her sickly Ma giving birth to a baby sister who cries endlessly; of the terrifying visions she saw as her sanity began to slip, the victim of cabin fever; and most of all, the memories of the boy she has been secretly meeting with as a distraction from her pain. The boy whose baby she now carries.
When the Verners arrive at their new home, a large cabin abandoned by its previous owners, they discover the inside covered in blood. And as the days pass, it is obvious to Amanda that something isn’t right on the prairie. She’s heard stories of lands being tainted by evil, of men losing their minds and killing their families, and there is something strange about the doctor and his son who live in the woods on the edge of the prairie. But with the guilt and shame of her sins weighing on her, Amanda can’t be sure if the true evil lies in the land, or deep within her soul.
***I received this eARC as a gift in exchange for an honest review via NetGalley & Harlequin:Teen
+++Contains: Mature themes, gore, graphic imagery, and what may be considered triggers- miscarriage
READ THIS BOOK IF:
- You’re looking for something chilling and unexpected
- You’re not afraid of disturbing images, gore, and/or devils
- You like M. Night Shyamalan
Daughters Unto Devils would make a terrifying horror film. Amy Lukavics has perfected the use of blunt and abrasive images that are just enough to shock and haunt. There’s no need for explanation or excessive description, the brutally detached imagery will give you goosebumps.
- Amanda has a profound and stunning voice. She voices her dark and twisted thoughts, voicing them, letting herself accept that her deepest desires are not always pure or even remotely nice. Amanda admits to herself that she’s morbid, sinful and a little insane. That she owns it makes it 10x more compelling. Sometimes her thoughts are sickening and startling, that someone could wish harm and death on others if pretty off-putting but Amanda’s candidness with herself (and some self loathing) almost make her more likable. She’s hardly perfect, far from it, but she sees the world for the vile and rotten place it can be, she picks up on darkness when others are oblivious, mainly because she has it tucked so close inside her.
- Spine-tingling, hair on edge images that blur the line between paranoia and reality, there’s something sinister in the simple images. The scenery is bleak and haunting. The snippets of ghost stores and memories that may or may not be real add an air of suspicion. You won’t know of they’re insane, paranoid or possessed until the last moment.
- Twists that will leave you reeling.
- One scene in particular was Excorist-worthy terror at its finest.
- Some sections are slow and drag quite a bit when there’s not something sinister on the horizon.
- The whole situation with Henry and the Amanda is naïve and sort of grotesque. The descriptions of bulges and writhing were too much for me. Amanda’s wild-eyed wonder at this man was understandable at first but after everything that happens to have her still hoping that he’d accept the situation was crazy.
- What happened in the cabin, the clues and tidbit scenes were spaced far apart and didn’t go into enough detail to truly capture the hysteria.
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